There are :
The Sukhothai Kingdom, founded in the early 13th century.
The Kingdom of Ayutthaya (1350-1767)
The Thonburi Period (1767 – 1782)
The Rattanakosin Period (from 1782 to the present day)
The first united Thai kingdom is said to have been founded in the early 13th century by king Si Intharathit. The first capital was Sukhothai. The name means “Blissfully Dawn”. King Ramkhamhaeng the Great was the eminent ruler of Sukhothai. He invented the Thai alphabets 700 years ago.
The Ayutthaya Kingdom lasted for 417 years. During this period diplomatic relations were established with the European countries and embassies were established. Much trade was done. Missionaries came into the country and were given the freedom to preach their religion. The Ayutthaya period was the golden age of architecture, fine arts and literature. The Kingdom of Ayutthaya ended in 1767 when the capital was invaded and destroyed by the Burmese ( Myanma).
Thonburi, located on the west bank of the Chao Praya River, was founded by King Taksin as the new capital of Thailand, but served as the seat of government for only 15 years.
With the establishment of the Chakri Dynasty in 1782 by King Rama I , the Rattanakosin period began. King Rama I named Bangkok, which lies on the east bank of the Chaopraya River, the new capital of Thailand. The main reason for this was that soil on the Thonburi side was being carried away by the water. In addition, Bangkok has a better strategic location. The foundation stone for the construction of the city was laid at Lakmuang Shrine. In 1982 the city and the Palace celebrated their 200th anniversary.
Sukhothai is located on the east bank of the Yom River. If you take the train from Bangkok to Phitsanulok and then take the bus to Sukhothai, the distance is 545 kilometers. On the north and west side of the city there are low mountains, which gradually descend to the south and east to the flat land with individual hills.
The old town of Sukhothai is 12 kilometers west of the current town hall. The area has been declared a national historical park.
In 1238 the Sukhothai Empire was founded by King Por Khun Sri Intharathit after the Fall of the Khmer. During this time a total of nine kings ruled. The empire reached its peak during the reign of the third king, Ramkhamhaeng the Great, who exercised his power and the influence of Sukhothai over large areas. After the reign of the 6th King, this power slowly declined, perhaps because of the rise of the southern Ayutthaya.
In 1438 Sukhothai was attached and administered by Ayutthaya. The old town of Sukhothai is 1.4 kilometers by 1.8 kilometers and has 4 entrance gates. The city has a large lake and 21 historical sights. Within a radius of 5 kilometers there are still 70 historical sites to visit, for the most part religious monuments of Buddhist and Hindu importance.
The temples in Sukhothai vary from Prang to Stupa, Mondop to Vihan. The Stupas represent three main styles:
Most buildings consist of laterite (for the base and column), bricks (for the wall and column base of the statues), wood and earth (for the roof framework and the roof) with individual plates made of porcelain.
The Ramkhamhaeng National Museum which is also partly an open-air museum. It was opened to the public in 1964. The museum contains special art articles that were used during the main restoration of the old town.
Porcelain pieces from China found in the crypt of several Stupas.
The open-air museum mostly exhibits works of art made of stone from the Sukhothai period, including the elephant caryatids from Wat Chang Lom and Wat Chang Rob in Sukhothai, Sri Satchanalai, Khampaeng Phet and the model of a kiln from the island of Noi outside Sri Satchanalai.
Surrounded by a pond, this temple is considered to be the largest and most important temple in the old city. Apparently it was a royal temple of the same importance as Wat Phra Sri San Phet during the Ayutthaya period and the temple of the Emerald Buddha in the Bangkok period, since the living quarters of the monks – according to a thorough search by Prince Damrong Rachanupab – are not present in the temple.
There are many buildings on the site of the temple: 200 ruins of stupas, 10 Vihan foundations, 8 vestibules where statues of Buddha are set up and a Bot foundation. Some of these structures were built during the former rule of the Sukhothai king : some were probably built afterwards during later rule periods. The main monument of this temple is a large Stupa in the lotus flower style, surrounded by four smaller axial stupas of the Srivichai style and four prangs, which imitate the Khmer style.
These Stupa stand on a square base that recedes in three rows, the middle row has niches around the four corners on which there are statues of Buddha. The bottom row supports your devotion “Taksinawat” meant walk clockwise in a circle. To the east of the main Vihan is a large Vihan in which a huge seated Buddha figure, Phra Sri Sakayamuni, was placed. This is currently in Wat Suthat in Bangkok. Another building is a Mondop, which contains a Buddha figure made of brick and stucco.
East of Wat Maha That, there is a small hill, in the south-western corner of which you can find a foundation made of rectangular brick 1.50 meters high. It is said that this fragment of a structure is part of the royal palace or building, even a place for royal religious ceremonies of the same importance as Sanam Luang in Bangkok. It is on this hill that Phra Thaen Mananga Sila and the Ramkhamhaeng stone inscription were discovered in 1833.
A large smooth stone slab 1.2 meters wide, 1.6 meters long and 3 centimeters deep. According to the Ramkhamhaeng stone inscription, King Ramkhamhaeng the Great used it as a seat in public, where he dealt with state affairs on normal weekdays, while monks preached on it on Buddhist holidays.
The stone slab is now being kept in the museum of the Temple of the Emerald Buddha.
is a square polished stone block 45 centimeters wide and 1.11 meters high. Thai script from the Sukhothai period can be read on four sides. The interpretation of the inscription was King Rama IV initiative and was later continued by Professor George Codes.
This stone inscription as well as other discovered objects can be seen in the National Museum in Bangkok.
is located southwest of Wat Mahathat, protected behind the great laterite wall. The main pool inside the temple is behind another row of brick walls, surrounded by a stream. This prang has three towers; The middle tower is 20 meters high, while the other two have a height of 12 meters.
The temple was probably an earlier Hindu shrine, as a stone fall with a sign of the Hindu god Vishnu on Naga and a siva lingam made of bronze were discovered during the restoration in 1907. However, a Lopburi-style Buddha statue was also found on the Vihan, which indicates the change of the shrine to a Buddhist temple at an unknown point in time.
is located on the west side of Wat Maha That, whose large stupa is very similar in style to that in Wat Maha That. It has a lotus flower tip and a base with Buddha images that were found here, all of which are in a walking position.
The statue of King Ramkhamhaeng, erected in 1969, represents the king on a Mananga Sila plate. Episodes from his life are depicted on the high base.
can be found about one kilometer north of the city wall. The main structure here is the Prang with three towers in the Khmer Bayon style from the time of King Jayavarman VII (1181 – 1217). The Prang has four vestibules, three of which are only a facade and one has an entrance to the Prang. The stucco work over the doorway is considered to be particularly fine. In front of the Prang, the foundation of a Vihan with a laterite column foot remains. There is also a ruin of a Stupa with niches on four sides. However, all the Buddha figures in it are already damaged. The stupa probably dates from the earlier Sukhothai period, as the Buddha statues have characteristics of both Chieng Saen and Sukhothai. A gallery extends around the Stupa, the other side of which contains a brick Mondop with stucco Buddha figures. On the site there are other smaller Stupas of different styles, maybe up to 30.
This grouping of structures suggests that the square was once a Hindu shrine. According to Prince Damrong, the place was probably a Khmer city from before Sukhothai times. After the overthrow of the Khmer, the Thais built a bigger city elsewhere.
is two kilometers northwest of the city wall. Instead of a Stupa or Prang, the temple has a Mondop as the main structure. And this is what makes him remarkable. The Mondop was probably built in the 17th century and contains a large seated Buddha whose characteristics are very similar to “Phra Atchana” mentioned in the Ramkhamhaeng stone inscription.
This Buddha statue, Phra Atchana, represents Buddha taming the Mara. The knee span is 11.40 meters. The Mondop itself is a square structure 32 meters wide and 15 meters high with walls 3 meters deep. The left wall has a tunnel that extends to the top of the back wall. The ceiling of the tunnel depicts stories from the Jataka, which can be seen on engraved stone slabs with texts in Sukhothai characteristics. There was also another tunnel on the right wall that recently fell over.
The part of the roof, which is said to have been made of wood, no longer exists. Only the wall has been preserved. In front of the Mondop you can find part of a Vihan in the form of a brick wall. A smaller one is further north with a restored brick and stucco Buddha statue.
This temple is located on a mountain shoulder of 200 meters Height, about 1.5 kilometers west of the city of Sukhothai. A slate path leads up to the temple courtyard, where a brick Vihan stands on column feet made of laterite. In the middle of the back wall, there is a stucco and brick Buddha figure of 12.50 meters in a forgiving position, looking east.
It is believed that the Buddha statue is “Phra Atchana”, which is mentioned in the stone inscription.
This temple is located about 800 meters south of the old town. It was built sometime between 1292-1412. The temple area is surrounded by a wall on which a Mondop and the foundation of a Vihan stand. The four sides of the Mondop wall depict Buddha in four positions.
The balustrade of the Mondop and the gateway are made of stone. In front of the Mondop there is still the foundation of a Vihan. The bot itself is located outside this complex south of the temple.
Sri Satchanalai no longer has independent status and is now part of the city of Sukhothai. It is located on the right bank of the Yom River, about 70 kilometers from the old town of Sukhothai on the way to Uttaradit. In earlier times there was a road connecting these two cities.
The city is surrounded on three sides by three rows of walls. On the side of the river there is only a row of walls. Seen from the outside, Sri Satchanalai is about 100-120 meters wide and 1800 acres in size.
A long chain of hills runs through the northern part of the city, on the two peaks of which Wat Khao Suwan Kiri and Wat Phanom Ploeng are located. Sri Satchanalai is also known for the rapids in the Yom River called “kaeng Luang”
In the 11th century there was an ancient city called “Chalieng” which was no less than 900 years old. According to Prince Damrong Rachanupab, the city center of Chalieng was probably around Wat Phra Sri Rattanamaha That, which was about one kilometer south of Sri Satchanalai.
During the Sukhothai period, Sri Satchanalai served as the second capital after Sukhothai. For this reason, the two cities were mentioned together as sri Satchanalai Sukhothai, as it is written in the three stone inscriptions, the stone inscription Ramkhamhaeng, the inscription Wat Sri Chum and the inscription Nakorn Chum. Sri satchanalai was the crown prince’s residence for a period during the 4th reign of Sukhothai.
The city gradually lost its importance. In the Ayutthaya period, Sri Sat Chanalai was under the administration of Ayutthaya and was called Sawankalok.
Art areas in Sri Satchanalai are mostly from the Sukhothai style. Several Stupas as well as Prang can be seen in temples that represent different styles. The lotus flower style, the rounded Sinhala style or the Sivichai – Sinhala style. The Prangs can only be visited in two temples, namely in wat Phra Sri Rattana Maha That and Wat Chao chan.
The Buddha statues mostly belong to the Sukhothai period. Other found art objects can be found in the form of rishi, angels, people, animals or imaginary animals, as well as pottery and earthenware.
A total of 137 historical cities can be found in this city. Noteworthy are Wat Chang Lom, Wat Chedi Chet Thaew, Wat Nang Phaya, Wat Kao Panom Ploeng and Wat Kao Suwan kiri within the city wall. Wat Phra Sri Rattana Maha That Chalieng, Wat Chao Chan and a ceramic kiln outside the city can also be mentioned.
The start of construction of this temple – according to the stone inscription – was fixed on 1285 and was done on behalf of King Ramkhamhaeng. Construction ended in 1291.
The most important object in this temple is a large bell-shaped Stupa in the Sinhala style made of laterite. The square footprint of 31 meters has three recessed stands, decorated with figures such as elephants, niches containing stucco Buddha statues and a balustrade. The front staircase leads to the main part of the stupa. A 50 meter long wall closes the Stupa down on four sides. Real entrances are the front and back doors, while the other two are just facades. In front of the Stupa you can still find the foundation of a rough Vihan and ruins of other small stupas and a small Vihan.
is about 30 meters south of Wat Chang Lom. The temple stands behind two rows of walls and has four entrances. The most important part of the wat is a Stupa in the lotus flower style on a square base of 13.5 meters. Around this Stupa are smaller Stupas of different styles. Notable among them is one on the north side, which maintains a niche with a Buddha figure under the Sri Vichai style Naga. In front of the stupa is a large Vihan, surrounded by a low wall. Outside this wall are the ruins of a Bot and a Mondop.
is the furthest south of Sri Satchanalai city. The temple is surrounded by a laterite wall with three entrances to the south and east. A sight in the wat is a base of 16.5 meters. A veranda leads to the interior of the stupa. In front of the round stupa there is a large Vihan made of laterite, the main wall of which still has stucco decorations with floral motifs from the Ayutthaya period.
was built on a 20 meter high hill north of the city. Laterite stairs lead to the temple. A Sinhala-style Stupa with a pavilion and Vihan in front of it is a historical attraction in this temple. Behind the main Stupa there are three smaller Stupas in a row. Another Stupa is located between the pavilion and the Vihan. It has a laterite niche and was known among the locals as the shrine of “Chaomae La – ong Samlie”.
is located on the second small hill, 28 meters high and north of the city, about 28 meters from Kao Phanom ploeng. A round Stupa in Sinhala style on a square base area of 44 meters wide is considered to be worth seeing. The stupa has niches on four sides. In front of the main stupa there is a Vihan and behind it there are other smaller stupas in Sinhala style.
This temple is located on the Yom River, about 1 kilometer south of the city of Sri Satchanalai. The locals call it Wat Phra Prang.The main monument of this temple is a large laterite Prang, which was probably built on the original Khmer Prang during the reign of King Borom Trai Lokanart in the Ayutthaya period.
The first restoration took place in the time of King Borom Kot. A large Vihan in front of the Prang contains the main Buddha statue, built in the Sukhothai style. To the right of this figure is another stepping brick and stucco buddha apparently from the earlier Sukhothai period. It is considered to be one of the finest works of art to date from this era.
There are several Stupas around the Prang and Vihan. The whole group, including a niche with a Buddha figure under the Naga, is surrounded by a wall of large blocks of laterite, decorated with woodwork. The western and eastern gates are made up of four-faced Brahma heads in the Bayon style. There are also figures of Devas, dancing girls and Rahu taking in the moon. All of these figures are hallmarks of Khmer art.
In front of the east gate is a Bot that was built on the old Bot foundation. This Bot stands behind two monks’ apartments known as “Phra Ruang Phra Lue”. The buildings probably represent King Ramkhamhaeng and Phraya Lithai. Behind the Prang there is a large octagonal Stupa foundation in rubble, which clearly shows the Mon style. This Stupa is called “Phra mutao”.
Another Vihan behind the large Stupa, which locals refer to as the Vihan of the Second Brothers, contains two large stucco Buddha statues. Hence its name. This temple probably functioned as a religious place of the Khmer in the past. It was later taken over by the Thais, who adapted the building for their purpose and added some structures.
is located west of Wat Phra Sri Rattana Mahathat Chalieng. The Khmer style Prang probably dates from the time of King Jayavarman VII and was used as a shrine for Mahayana Buddhism. However, the temple became a religious site of Theravad Buddhism in the Sukhothai period.
The ceramic kilns found in Sri Satchanalai are found in Ban Pa Yang and Ban Koh Noi.
Located in the central plain , the land was particularly fertile for rice cultivation. Ayutthaya is 72 km by train from Bangkok and 82 km on the highway (route Bangkok – Wangnoi – Ayutthaya). Ayutthaya is topographically located in a river bed. The city itself is almost an island, as it is surrounded by the rivers on all sides: by the Chao Phraya in the west and south, in the east by the Pa sak and in the north by a small body of canal, where the Lopburi River once flowed before its course changed.
King U – Thong made Ayutthaya the capital of his Kingdom in 1350, but the island had been settled for a long time : Several large temples document this, as areas that clearly date back from before 1350 were found in them. For example, it is noted in the chronicles of the north about the large Buddha figure in Wat Phanan choeng that it was erected in 1324. The kingdom of Ayutthaya existed for 417 years and finally fell in an invasion of Burma in 1767. The fact that the city lasted so long is due to its unique and well-chosen location.
The city was not only protected by rivers on all sides, but also by city walls that were 20 meters high and 5 meters thick. In addition, the low-lying land in this river area was regularly flooded, so that, a long siege was impossible.
On the east bank of the Pa Sak, south-east of the city. Presumably this temple was built in 1357 by king U – Thong especially for monks who had received the consecration after studying Buddhism in Ceylon. Later after his victory over the Prince of Burma, King Naresuan had a large Stupa set up in this temple but that is unclear that he order the new Stupa to be built or to have an old one restored. In any case, the stupa was named Chedi Chaiya Mongkol, although the local simply called it Chedi Yai. Eventually it was renamed Chedi Yai Chaiya Mongkol. After the Fall of Ayutthaya, the temple was deserted until some monks came to it as accommodation in the 1957 rainy season. They built new and reconstructed old parts of the temple in order to create living quarters and meditation cells. Later the Bot and the Vihan were also restored to their present state.
The Stupa corresponds to the round Chinese style as it was popular at the time of King Borom Trai Lokanart, but it also bears traces of the Sukhothai style. The base has eight edges and measures a total of 22 meters. A balustrade encompasses the entire stupa and in turn carries four axial stupas in the corners. The height from the balustrade to the top is 60 meters.
This temple was built by either the 2nd or 4th King of Ayutthaya as a Scripture for the holy Buddha relics. The Prang of Wat Mahathat is generally regarded as a copy of an Ayutthaya Prang and still clearly bears traces of the Khmer style.
Nowadays , one of the highlights here is the sand stone Buddha ‘s head stuck in the Bo-tree root.
This temple was the largest and most beautiful in Ayutthaya, of the same importance as that of the Emerald Buddha in Bangkok. It was built right next to the royal palace, was used exclusively for royal religious ceremonies and did not contain any living quarters for monks. About a century after King U – Thong founded Ayutthaya, King Borom Trai Lok Nart built a new Palace a little further north and converted the old palace grounds into a temple floor. His son and successor had a standing Buddha built in gold there, which was named “Phra Sri Sanphet”. This was later transferred to the temple.
The three large Stupas in the temple contain the ashes of King Borom Trai Lok Nart and that of his two sons, who also became King of Ayutthaya.
The ruins we see today belong to the palace built by King Borom Trai Lokanart, which was later expanded. Ayutthaya was destroyed to rubble in 1767 when the Burmese army defeated the city. The following Building are just the ruins left & was named according to the documents and proved.
This was built by King Narai near the northern city wall. It had four gables – entirely Thai style – and the floor was raised so that the king could watch the boats on the Lopburi River.
King Borom Trai Lokanart had this built in 1448 as the largest and most important hall for state events as well as for his personal use.
Built in 1632 near Wat Phra Sri San Phet. It had three gables and was used by the king to watch military exercises and parades.
This had a Prang tower and was built in 1643 by King Prasart Thong.
A four-gabled hall in the middle of the palace lake. The later kings of Ayutthaya held her in high esteem.
A building made of wood and ceramics by Rama V of Bangkok.
A building on the western shore of the lake near the Banyong Rattanat Hall. It was probably used for weapons training. It later became an audience building when the king moved into residence in the Banyong Rattanat Hall.
Located south of Wat Phra Sri San Phet. This Vihan is preferred by visitors because it is easily accessible and has a large parking lot. In the Vihan there is a large Buddha in Mara position, the Phra Mongkol Bopit. The figure is 12.45 meters tall and has a knee span of 9.55 meters. It was built of brick and plaster and is about 15 cm. Thick bronze covered. The age of the figure is unknown, judging by the art style it should belong to the early Ayutthaya period, because there are clear traces of both the U-Thong and the Sukhothai style. A chronicle says that the figure was moved to its current location from the east wing of the palace at the royal demand. When the Vihan was burned down on the Fall of Ayutthaya in 1767, the roof fell on the figure and damaged the head and right arm. Rama V had it repaired, but the Vihan was left in its condition until a major restoration program was undertaken in 1955 – with contributions from both the Thai and Burmese governments. The work was supervised by the Fine Arts Department of Thailand. In 1958 the restoration was completed.
It stands halfway between Wat Phra Sri San Phet and Phra Ram Lake. It was unveiled by His Majesty King Rama IX on June 24, 1970. The statue is made of green bronze and shows King U-Thong in the costume of an early Ayutthaya king, with a knot in his hair and a sword in hand.
North of the city island, on the bank of the Lopburi River. The kraal was built under the rule of King Maha Chakra Phat. The kraal is a square-shaped fence with a double wall. The inner wall consists of 226 thick posts, which are fastened close to each other in the ground and leave two openings free: One for the “Baitelephant”, which is supposed to attract the wild herd of conspecifics, and one through which a captured elephant can be led out. The outer wall on the western side is particularly wide, so that it could serve the king as a raised platform from where he could watch the elephant hunt. There was a wooden pavilion for the royal family and their guests at this point. Elephant hunts for royal guests were held three times during the Bangkok period
The temple stands on a small hill south-east of the city at a point from where you can see the mouth of the Pa Sak in the Chao Phra Ya. There is no reliable indication of who built this temple. Legend has it that the King built it at his wife’s cremation site.
According to the chronicles, the large Buddha figure in the Vihan was built in 1324, which would mean that it would be 26 years older than Ayutthaya. The statue was formerly called Phra Puttha Chao Phanan Choeng. However, Rama IV renamed it Phra Phutta Trai Rattana Nayok after his temple restoration. The locals only call it Luang Por To. The effigy is a gilded brick and plaster Buddha in Mara position. The knee span is 14.10 meters, the height is 19 meters. It is one of the largest Buddha images in Ayutthaya.
Located near Wat Maha That. This temple was built in 1424 by King Borom Racha II (Chao Sam Phra Ya) at the cremation site of his two brothers, who both died fighting each other for the throne. The ruins of the foundation walls show that the temple must have been very large. The early Ayutthaya Prang, which is still standing, has a beautiful stucco. Wall paintings in the crypt of Prang – in red and gold – show a striding Buddha and a meditating Buddha against a background of heavenly beings and flowers. As in Wat Ratchaburana, the Fine Arts Department found valuable gold ornaments in many different form & style in large numbers within the Prang crypt, such as royal jewelry, gold Buddha amulets etc. that some were used to fund the foundation of the Chao Sam Phra Ya National Museum.
This was opened in 1961 by His Majesty King Rama IX. It is named after the founder of Wat Ratchaburana, where the valuable treasure were used to fund the museum come from.
The interesting items include:
On the southwest corner of the city island. As a temple of the Chakri Dynasty, it is remarkable in that it was founded by the father of Rama I of Bangkok when Ayutthaya was still the capital of the empire. After ascending the throne in Bangkok, Rama I had the temple restored and renamed Suwan Dararam in honor of his parents. The temple contains the following objects of interest.
Inside the Bot there are murals painting of celestial beings on the top of the wall and of Jataka stories on the bottom. The paintings on the wall opposite the main Buddha statue show the Buddha in Mara position with Mother of the Earth as witness: the back wall depicts scenes from heaven and hell. The main statue itself is an enlarged version of the Emerald Buddha.
The Vihan. Built by Rama IV of Bangkok. The main character is a stone version of the Emerald Buddha. The wall paintings in the Vihan were done in 1931 at the behest of Rama VII and are valued as masterpieces of the artist as well as of the whole Bangkok era. They depict episodes from the life of King Naresuan. The Fine Arts Department has attempted to reproduce these paintings on the occasion of the Great King’s victory at the Don Chedi Monument in Supanburi Province. However, this project did not have the same success.
This temple is located north of the city wall on the other bank of the Lopburi River, opposite the Royal Palace. The age of the temple is unknown. Although its name indicates the place of cremation of an Ayutthaya king. The temple was mentioned for the first time in the chronicle in connection with the construction of the king’s pavilion. This was to be built for the conclusion of a peace treaty at a place between Wat Na Phra Mehn and Wat Hasdaram. After the Fall of Ayutthaya, this temple escaped destruction, but was nonetheless left to decay until Rama III ordered its restoration in 1838.
The Bot 50 meters long and 16 meters wide, making it the largest in Ayutthaya. The early Ayutthaya style is reflected in the narrow, elongated shape of the windows and the presence of pillars within the Bot room. The walls used to be painted, but the pictures were destroyed by bleaching. The main statue is a bronze crowned Buddha in Mara position, the largest crowned Buddha figure of all.
The Vihan Noi built in 1838. The main character is a stone Buddha who used to stand in Wat Maha That. This green stone statue is from the same period as the four white stone figures. Originally these images were found in Wat Phra Mahn in the province of Na Khon Pathom and come from the Dvaravadi period.
The main Stupa of this temple can be seen from a distance. The temple is built on a junction from the Ayutthaya Ang -Thong highway. It was built in 1387 by Koenig U – Thong ‘s son Ramesuan. The Burmese king Burengnong had the Stupa built in 1569 on the occasion of his victory over Ayutthaya. King Borom Kot ordered its restoration and stylistic adjustment. Today it shows two architectural styles, the Mon style in front of the base to the balustrade and the Thai style from the balustrade to the top.
At Bang Pa In there is a small island in the Chao Phra Ya river on which there are some houses. This was the birth place of one of the kings of Ayutthaya. When he ascended the throne. He dedicated his mother house to a temple – Wat Chumpon Nikayaram and built a palace and a lake on the island in 1632. He gave the Palace the name -Eisawan Thipya Art Hall – From this time on, the Ayutthaya kings visited Bang Pa In regularly, as it was easy and quick to get from the capital.
For Bangkok’s King there was no visit to Bang Pa In until the reign of Rama IV. He visited Ayutthaya several times and stopped once in Bang Pa In. He found the Palace and the lake in a dilapidated state, although the wooden structure still looked good and the mango groves looked cool and pleasant. So a restoration program was undertaken that also included Wat Chumpon Nikayaram.
King Rama V visited Bang Pa In regularly. He built a few more halls and hosted foreign visitors here. All the buildings that can be seen today are from his time.
This Corinthian style ( ancient Greek and Roman architecture ) hall was built in 1876. The entrance leads into the audience hall and then into the royal apartments. Later guests of the king were accommodated here. The hall contains some interesting areas, such as old weapons, beautiful stone figures and oil paintings about historical events. In the audience room the throne is under a “royal umbrella” On the walls hang oil paintings, one of which shows Rama V in full state. Rare pieces are large vases of Korean and Japanese craftsmanship that were sent to the king as gifts. In the next room there are paintings, vases and pieces of crystal of European origin.
Unfortunately, it was completely destroyed by fire in 1938; only the ruins of the prayer tower remained. Luckily, later with the initiated of the Queen Sirikit this Palace building was rebuilt . This was one of the favorite buildings of Rama V, where he also stayed with foreign visitors.
It was built in the Chinese style in 1889 under the supervision of Chinese traders. A brother of the king acted as advisor and supervisor. Also one of Rama V’s favorite buildings; here too he received the foreign guests.
Interesting pieces are walls outside the building On the south side; They represent Chinese dragons that are supposed to scare away evil spirits. The entrance to the lower part of the house leads through three doors, each of which is decorated with carvings. The floor is covered with ceramic tiles imported from China, depicting mythical Chinese birds, trees, fish and other animals.
On the south wall of the building there are 17 panels with Chinese poems that were installed there by order of Rama VI. All pillars and planks are decorated with carved and gilded figures. The top plank bears the name of the building in Thai, with the letters stylized in such a way that they look similar to Chinese.
In the north of the hall there is a marble slab with black and white Tao signs and a throne in the Chinese style. There are tables for officials on both sides. The rear area is reserved for the women in the courtyard. A narrow staircase leads to the upper floor. This is divided into three sections. The middle section contains three royal seats standing side by side. On the two outer ones there are panels with the initials Rama V and Rama IV as well as their queens, and on the middle seat there is a Buddha figure. The tablets were made by order of Rama VII, and a ceremony is held here every year on the occasion of the Chinese New Year. The south wing contains the royal study. The bookcases here are in the Chinese style of carved wood with gold decorations. The north wing contains; the queen’s room, the king’s and a bathroom.
An observation tower in the lake in front of the Vehat Chamroon Hall.
This Shrine was built in 1880 and dedicated to King Prasart Thong, who originally built the Bang Pa In Palace.
This temple is on a small island opposite the palace. It was used when the king’s family moved to Bang Pa In. Construction lasted from 1876 to 1878.
The main character is a Buddha in meditation posture with a knee span of 47 cm. And a height of 104 cm. The official name is – Phra Phuttanarumnon Thanmophat.
The temple is remarkable in that the style of the building corresponds to that of a church. The bot has a tall tower and Gothic windows with painted panes.
Lopburi Province is located in the eastern part of the central region. The distance to Bangkok is 154 kilometers by road. The extreme west of the province is formed by a plain through which the Lopburi River flows. The north and east are mainly hill country. The city of Lopburi is located on the left bank of the river – this in turn flows into the Pasak at Ayutthaya.
Lopburi is an old city with historical significance. A large number of areas from the Dvaravdi period (7-11 centuries) and from the Lopburi period (7-13 centuries) have been found here. During the Ayutthaya period it became an important outpost of the kingdom. Its importance lasted until the Bangkok period. The people who originally settled on Lopburi were the “Lavah” who belonged to the tribe of the Mon. This is why the city was given the name “Lavah”, which became “Lavahpura” and finally “Lopburi”. When the Khmer advanced west, Lavah fell around 950 and was declared the capital of the Khmer possessions in the Chao Phra Ya plain. In the 14th century, the Thais became strong enough to retake Lavah from the Khmer.
The chronicle says that King U-Thong appointed his son, Prince Ramesuan, to rule Lopburi in 1350. So it became the second most important city after the Capital.The prince had two city walls built to make it a fortress against enemy troops. These walls were torn down during the reign of King Mahachakrapat (1549 – 1568) in case, if the city fell victim to the enemy and could thus be used against Ayutthaya. Lopburi lost its importance after Prince Ramesuan left the city to become king in Ayutthaya. It gained weight again during the reign of King Narais (1656 – 1688), who restored the city with the help of French and Italian architects, whose influence can still be seen in the structure of the palace and fortresses.
King Narais stayed in Lopburi until his death. After his rule, the entire administration was moved back to Ayutthaya and Lopburi sank into insignificance until 1863, when King Rama IV of Bangkok ordered a major restoration program and had the Piman Mongkut Hall converted into his residence. After Thailand became a democracy, Lopburi became a military center. The part east of the railway forms the new town, while the part west of the railway contains most of the cities of historical interest.
This palace was built at the time of King Narai, but it was only given its official name later by King Rama IV after he had it restored. Phra Narai Ratchanivet is surrounded by thick walls. The entrance shows a mixture of Hindu and Khmer art. The area of the palace is divided into three sections – the outer courtyard, the middle courtyard and the inner courtyard.
The water supply for the palace was ensured by a pipe system from the “Talay Chubsorn” an inland lake some distance away. The water stayed in an opened Tank.
A collection of 12 buildings near the water point where royal property was stored. In the old days, business with foreign traders had to be carried out through the Royal Chancellery. Now only ruins are left of the twelve buildings.
These were used for the elephants and horses in royal possession and were built near the wall of the central courtyard.
At the south-eastern corner of the outer courtyard, a building with a rectangular base, 10 meters wide and 20 meters long. Only the walls are still standing today, but the decoration on the doors and windows can still be seen.
The building was probably used for King Narai’s audiences. Its historical significance lies in an affair of treason against the Tron, which was planned here while the king was seriously ill in Sutthasawan Hall.
North of the Tuk Phra Chao Hao near the water point. A French style building that probably served as accommodation for royal guests.
A Thai style building constructed in 1665 and used by King Narai until Sutthasawan Hall was completed. Later King Narais audience hall. Restoration work under the rule of King Rama the Fourth has ensured that it is still in good condition and can now be used as a museum. Most of the exhibits are Buddha images.
Built in 1863 by Rama IV for his residence. Four buildings belong to this group. The Piman MongKut Hall for the Royal Suite, the Sutthivinichai Hall, which was used for meetings with government officials and discussing state affairs, and the Aksorn-Sastrakom Hall for the royal office. King Rama V gave this hall to the city as a place for a town hall.
Built by King Narai for foreign audiences. The structure was a mix of Thai and Western architecture. The front part was in French style, the back part in Thai style. The French ambassador in King Narai’s time reported that the hall had mirrors on the walls imported from France and the ceiling was divided into four geometrical areas decorated with gold floral motifs and Chinese crystals. In the middle of the hall is the throne from which King Narai received the foreign ambassadors.
Behind the Dusitsawan Thanya Mahaprasart are some small buildings that were used to house the female members of the Royal Family when Rama IV visited Lopburi.
The Sutthsawan Hall, the King Narai residence was built some distance from other buildings. There are probably gardens in the large surrounding area, as the traces of fountains can still be seen there. King Narai lived in this palace until his death. At a time when he was very ill, he learned of the conspiracy against his throne. In order to create a shelter for his followers, he had the palace made into a temple. Therefore, when Rama IV was planning to restore the palace, he had to cancel this order and build another temple to replace it in the city.
Close to the railway line. The structure consists of three prangs in a row. The decorations in either section are still sharp and clear down to the last detail, while the lower section is not as distinct – it may have been repaired in King Narai’s time.
The three-tier prang was built under the rule of Jayavarman VII (1181-1217), who adhered to Mahayana Buddhism and had a number of Buddhist monuments built, especially Phra Prang Sam Yot in Lopburi and Prasart Muang Singh in Kanchanaburi.
The function of the three prangs in a row is that the middle tower is dedicated to buddha, the southern bodhisattva Avalokitasavara and the northern Prajnaparamit, the goddess of wisdom in Mahayana, who is sometimes called the mother of the Buddhas.
King Narai had a Bot built east of the middle pavilion and set up a large stone statue of the Buddha as the main figure. Now she is in the open.
In the center of the old city. This prang was previously a Hindu shrine that was built in the 10th century and is now considered the oldest Khmer prang, which was found in the central regions and is 300 years older than Phra Prang Sam Yot.It consists of three towers Brick, but these are – unlike Phra Prang Sam Yot – not connected to each other. Only the middle tower is still standing, of the two sides only the foundation walls can be seen. The door frame of the middle tower resembles a wooden frame. The brick decorations inside the tower are made in the style of the 10th century.
This was built under the rule of King Narai to accommodate foreign ambassadors who came to royal audiences.The system is divided into three sections. The eastern end forms the chapel for the ambassadors and the Christian clergy in Lopburi, the central part the living quarters, and the eastern end the main hall. Behind it is the water point.
The shrine contains a stone statue of Vishnu with a Buddha head. Before that, the statue of Vishnu stood headless until someone put a Buddha head on it. This piece is very well known and is highly revered in Lopburi. The tamed monkeys that are present in large numbers and use the shrine as a place of residence are a special tourist attraction.
This temple is the oldest and most famous in Lopburi. The main rank is the highest in the city. It had previously been assumed that it was from the same time as Angor Wat, which means that it would belong to the late 12th century. According to more recent findings, however, it is from the 14th century, the time when the Thais had conquered “Lavah” from the Khmer. The style of Prang belongs to the U – Thong school.
In front of the Prang is a Vihan that was built under the rule of King Narai. This very large Vihan has Thai doors and Gothic windows. There are also Stupas of different styles in temples.
Commonly known as Phra Thinang Yen. This hall is located outside the city and was built by King Narai on what was once an island in an inland lake, the Talay Chubsorn. The lake has now dried up. Only the walls and the foundation walls remain of the hall. To the side there were small rooms which certainly served as accommodation for the king’s servants.
This statue stands in the center of the “Thepstri circle”. It shows the king with a sword in his right hand, looking east. The base bears inscriptions that attest to his achievements. The statue was created in 1966 for over a million baht.
A Buddha’s footprint is located in Wat Phra Phuttabat in Saraburi Province, 20 km. from Lopburi on the Saraburi – Lopburi route. It is very important to Buddhists as it is located on natural rocky ground, while the Buddha footprints, commonly found in many temples, are imitations of various materials, from wood to metal.
is a royal temple of the first order, as is Wat Phra Pathom Chedi in the province of Nakorn Pathom.
The footprint was discovered during the reign of King Song Tham (1610-1628). A group of monks went on pilgrimage to Ceylon to pay homage to the Buddha footprint on Mount Sumonkun. They learned from Ceylonese monks that such an imprint could also be made in Thailand. After hearing about it, the king ordered his officials to search the whole country for the print. At that time a hunter in the Saraburi area who was chasing a wounded Deer found a large, unusually shaped hole in a rock in a hilly area that was filled with water. The shape of the hole looked like the footprint of a very large person. The hunter reported his find to the mayor, who forwarded the message to the capital. King Song Tham himself came to inspect the Find and saw certain signs of a Buddha imprint. Therefore the place was declared a holy Buddhist site and a mondop was built over the footprint, on the surrounding land a hill on which the imprint was found was renamed “Mount Suwan Banpot or Mount Satchapan Kiri.
The Mondop, which currently covers the footprint, was built by Rama I and replaced the one from the Ayutthaya period. This had been destroyed when Ayutthaya was besieged and some Chinese soldiers took the opportunity to steal valuable items from the temple and burned the Mondop to melt the gold in the protective roof over the imprint.
The Bot was built by King Songtham and has been repaired several times. The end of the gable shows an image of Vishnu. The door panels bear the royal emblems of the first four rulers Bangkok, the U – nalom, Garuda, the Prasart and the crown.
There are several Vihan here, in detail
Literally translated this means: Vihan of the four footprints of the Buddhas. The model of four prints was made according to the belief of Theravade Buddhism, according to which four Buddhas have already been born and one is still expected. The four tracks are therefore designed as four impressions standing on top of one another.
Located at the bottom of a staircase that leads to the Mondop. This pavilion was built under the rule of King Song Tham, but has been repaired and restored several times. It was the place where the king used to change before going to worship.
Phra Pathon Chedi, the largest Stupa in Thailand, is located in the province of Nakorn Pathom. The Stupa is 120.45 meters high, i.e. it is about the same height as St. Paul Cathedral in London. The current Phra Pathom Chedi, which covers the old one, dates from the time of King Ramas IV, while the old one was probably two thousand years old. Wat Phra Pathom Chedi is one of the six royal temples of the highest rank in Thailand.
The ancient Pathom Chedi was discovered by Prince Mongkut in the time of Ramas III, when he made a pilgrimage to Nakorn Pathom as a monk. Here he found an old stupa 81 meters high in the form of an upside-down bowl with a tapered “Prang”. However, this old Stupa was only renovated in 1853 after Prince Mongkut had climbed the Tron. The renovation took a total of 17 years. Many archaeologists claim that the old stupa – due to its shape – is stylistically similar to the “Maha Chedi Sanchi” in India, which was built in the time of King Asoke the Great of India (3rd century – 2nd century BC). When King Asoke sent his religious missionary, Phra Sona Thera and Phra Uttara Thera to the “Golden Land”, the Stupa was built. However, the exact date of origin remains in the dark. The name “Phra Pathom Chedi” came from King Rama IV and means “the first Stupa built in Thailand”
The large Stupa is the main attraction of the temple, surrounded by a round gallery and four Vihan in the north, south, east and west. The Stupa is 120.45 meters high and 233.50 meters wide under the base, which is supported by a balustrade. Above the second layer there is the lotus leaf base, the bell, the throne and the smaller rings on top. At the top there is a “nopasul” together with an honorary crown, which represents the royal emblem of Rama IV. The four main Vihan stand around the Stupa on four sides. Vihan Luang in the East, the South Vihan, the West Vihan and the North Vihan
Phuttamonthon is currently considered the largest Buddhist site in Thailand. It is set on 1,000 acres and extends over four districts in Nakorn Pathom Province.
The idea of making Phuttamonthon the largest Buddhist city in Thailand already existed at the time of Prime Minister Field Marshal Pibulsongkram, but was rejected by parliament. However, this plan was accepted during the celebration at the beginning of the 25th Buddhist century. Later, on July 29, 1955, King Bhumibol laid the foundation stone for the main Buddha statue. Construction slowed down because most of the financial support was missing. In 1978 the Phuttamonthon project received further funding from the government of Prime Minister general Kriengsak Chamanan. The Phuttamonthon as such contains the following sights.
The main Buddha statue was designed by Professor Silpa Bhirasi in 1955 and was not made until 1981. The statue, 17.358 meters high, has a striding position. It was called “Phra Si Sakaya Thosaponyan” by King Rama IX and is considered the largest bronze statue in the Bangkok period.
Kampaeng Phetch is 482 kilometers from Bangkok. The river “Ping”, which flows through the city, divides the city with its contrasting landscape into the mountainous west and the plains in the east, where the new city of Kampaeng Phetch is located.
A famous Thai historian, Prince Damrong Rachanupab claims that in ancient times the ancient cities like Cha kang Rao, Nakorn Chum were on the west side of the river. However, another city was found across from Nakorn Chum, and this later became known as Kampaeng Phetch. When exactly these cities were discovered is still in the dark. But they are definitely backdated to at least 1357, since kampaeng Phetch was made the seat of the Crown Prince since 1358. This date refers to the reigns of King Li Thai of Sukhothai and King U-thong of Ayutthaya.
The old town of Kampaeng Phetch, surrounded by a 5 meter high wall, offers beautiful old temples such as Wat Phra kaeo and Wat Phra That to visit, outside the city are Wat Phra Non, Wat Phra Si Iriyabot and Wat Chang Rob.
is in the middle of the city, north of the Royal Palace. The center of the Wat is a bell-shaped Stupa in Sinhala style on a square base decorated with niches. The lower row of niches contains 32 “singha”, the middle row has 16 Buddha statues, while the upper row has four verandas without any singhas or Buddha statues. To the east of the Stupa there are pillars with raised foundations. Next door you can see ruins of the lower part of what is believed to be part of a Mondop.
To the west of the Stupa is a reclining Buddha, on the base of which there are very small Stupas in a row. The big seated Buddha behind it is strangely from a later date. It is said that the Emerald Buddha was here once, hence the name of this Wats.
During the restoration of the wat, 35 basic columns of Stupa of different styles were found, eight Vihan – large and small as well as the base area of three Bots. Because of this, this temple seems to be the largest and most important in Kampaeng Phetch.
The next large temple within the city wall, east of Wat Phra Kaeo, is Wat Phra That with its main Stupa made of laterite and brick, the square base of which is the foundation of the large Vihan made of laterite. The gallery surrounding the Stupa connects it to the Vihan.
In the gallery you can still see the interior of some stucco Buddha statues that were once placed here. To the north and south of the Vihans are Stupas, which are surrounded by a wall made of laterite.
This temple is located north of the city outside the old city wall, again surrounded by a laterite wall. A fragment of the discovered stucco “Singha” figure is shown in front of the Bot. The base of the Bot is 80 cm. High. There are stairs in front and behind.
The eight-sided column consists entirely of laterite. Behind the Bot one arrives at the Vihan, in which the reclining Buddha is located. On the western side of this Vihan there is a Stupa made of laterite on a square base, the top end of which is eight-sided in three layers. There is also a niche of Buddha statues behind the Stupa, a Vihan in front of the Stupa and seventeen ruins of Stupa foundations. Wat Phra Non is therefore regarded as a relatively large temple.
This temple is located north of Wat Phra Non and is commonly known as Wat Phra Yuen, surrounded by four laterite walls. In the courtyard in front of the Wat there is a laterite Vihan base that is about two meters high. Behind the Vihan is a four-gabled Mondop. The eastern side of this Mondops contains a walking Buddha, the northern side a reclining, the southern side a sitting and the western side a standing Buddha. All of these Buddha statues show the Sukhothai style of the Kampaeng Phetch school.
Located on a small hill. The main stupa is a bell-shaped chedi Ceylonese style with a square floor plan, on which the decorated front body of an elephant can be seen. There is a large Vihan in front of the stupa. In the north there is a medium-sized Bot base, surrounded by non-decorated boundary stones. During the restoration, numerous terracotta figures in various shapes were discovered, such as dancing girls, demons, hamsa angels and human faces. These figures represent both the late Sukhothai style and the early Ayutthaya style, the details of which give an idea of the life and clothing of the people of that time. The objects are exhibited in the National Museum in Kampaeng Phetch.
Pitsanulok is located in the southern part of northern Thailand. The neighboring cities are Pichit, Kampaeng Phetch, Sukhothai, Uttaradit, Loey and Phetchabuhn. To the west of Pitsanulok, a plain extends along the Yom and Nan rivers. In the east, hills and mountains rise to the border with the provinces of Loey and Phetchabuhn. Pitsanulok lies on the two banks of the Nan River. The old town is on the right bank of the river, while the shops and banks are concentrated on the left bank.
Pitsanulok was originally called “Muang Song Kwae” because it is located between two rivers, Nan and Yom. The city was probably built during the Khmer rule, a little earlier than the Sukhothai period. During the Sukhothai period, Muang Song Kwae was believed to have been part of the Sukhothai Empire as the city was mentioned on the stone inscription.
The king Li Thai stayed for 7 years, between 1362-1368, in Muang Song kwae and had 3 important Buddha statues built:
Muang Song Kwae again gained importance when it became the seat of Crown Prince Phra Ramesuan, son of King Borom Racha II. After the Crown Prince climbed the Tron of Ayutthaya in 1448, he only stayed in Ayutthaya for a few years. From 1463 until his death in 1448 he stayed in Muang Song Kwae, whose name was later changed to Pitsanulok.
Pitsanulok was the birthplace of the famous King Naresuan the Great, who was born here in 1555. A shrine was placed next to his birthplace in the old Palace in 1961.
Located near the Naresuan Bridge on the east bank of the Nan River is very famous. The temple was built around 1357 during the reign of King Li Thai of Sukhothai. The center of this temple is the great Prang, which is surrounded by four Vihan.
In West Vihan is a bronze statue in the late Sukhothai style and depicts the Buddha when he overpowered the Mara.
The curved flame at the back is made of carved wood with fictional figures at the end and at shoulder height.
The province of Kanchanaburi with its mountainous landscape lies west of Bangkok, where the small river Kwae Noi and the big river Kwae Yai originate, which form the river Mae Klong in the district Pak Phreak.
Archaeological excavations in Kanchanaburi show that this city was once the center of prehistoric society of the Old Stone, Middle Stone and Neolithic Periods. The small regional museum in the Ban kao district displays bones and tools from the prehistoric cultures in the area.
During the Dvaravadi period, Kanchanaburi was culturally influenced by its two large neighboring cities, Nakon Pathom and U – Thong, the cultural center of the time. With the rise of the Khmer, Kanchanaburi also became a part of the Khmer Empire, the blossom of which was manifested in buildings such as Prasart Muang Singh. During the Ayutthaya period, Kanchaburi became important as a border area between Burma and Siam. Several heavy battles between troops of both peoples took place here, even up to the time of King Ramas III. From the Chakri dynasty until Burma lost its independence to England.
Kanchanaburi, the town of the little Mae Nam Khae or “River Kwai”, became world famous through the Hollywood film by Pierre Bouille “The Bridge on the Kwai”, which dealt with the events of the Second World War.
The museum in the Ban Kao district – about 34 kilometers from the city – is located on the Kwae Noi River. In 1963 archaeologists discovered skulls, skeletons, stone axes, pots and jewelry in this area, which presumably come from the prehistoric period, the old stone and bronze period.
This Khmer shrine is considered to be the symbol of power of the Khmer Empire in this era. It is located about 250 meters from the left bank of the Kwae Noi River in Muang-Singh, a subdistrict of the Saiyok District. It is believed that this stone shrine was built by King Jayavoraman VII, the ruler of the Khmer Empire in the 12th century. The discovery of the stone statue of Bothisatt (1.60 meters tall) is an indication that this shrine was considered a Mahayana Buddhist temple at the time. The shrine, surrounded by earthenware walls, sits on 80 acres of land. The main Prang in the middle with its smaller satellites around the four corners was built on a platform with an arched roof corridor that connects all Prangs with one another. The building consists of laterite with some sandstones and was mainly decorated with sculptures made of bas relief stucco. This is reminiscent of the Prang Sam Yot temple in Lopburi.
During World War II, the Japanese army wanted to establish a route to transport soldiers and goods between Burma and Thailand. Therefore, in 1942 a 250 mile (415 km.) Long monorail line was built from the Kwae Noi River through the malaria jungle. This leads to the Burmese territory. Construction lasted for a year during which enormous numbers of Allied POWs lost their lives to malaria and chorera. The bridge was destroyed in a bomb attack in 1945 and rebuilt by the Thai railway administration.
6,982 prisoners of war who had fallen during the construction of the “Railway of Death” were buried in the Kanchanaburi cemetery behind the main train station.
Another smaller cemetery, which can only be reached by boat, is on the right side of the Kwae Yai River, about 2 km. From the city center. Here are the graves of 1750 soldiers.
The museum in the form of straw huts shows the prison camps during World War II. The museum exhibits pictures, drawings and paintings that show life in the camp. Many of the items are donations from relatives of the prisoners themselves.
Phetchburi is located in western Thailand, 165 kilometers from Bangkok on the road to Phetkasem. In the west of the province there are many mountains that belong to the Tanaovasri Mountains and delimit Thailand from Burma. The plain to the east of the city is part of the large plain around the Gulf of Thailand. Phetchburi is located on the Phetchburi River, which flows into the sea at Ampoe Ban Leam.
Phetchburi is one of the oldest cities in Thailand. The City like other cities in Suwannaphum and in the Dvaravadi empire probably belonged to the monsters. When Nakorn Sri Thammarat extended his rule over Dvaravdi and the Khmer Empire in the 9th century, Phetchburi also became dependent on it, because according to a legend, a Prince from Nakorn Sri Thammarat ruled over Phetchburi. Wat Kampaeng Laeng is a prime example of the Khmer influence on the region before it became a Buddhist temple. In the 14th century, when the Thais established their rule over central Suwannaphum, Phetchburi was subjugated. The inscription on the Ramkhamhaengstone mentions Phetchburi as a city of the Sukhothai Empire.
In the Chronicle of Ayutthaya, Phetchburi is mentioned several times, mostly in connection with invasion and rebellion. It is said that this city was given different names by foreigners “Pipry” Even in the earlier Bangkok period the city was known as “Muang Prippri”. The earlier name from the Sukhothai period only became popular again during the reign of King Rama IV and has remained in existence ever since.
Phetchburi is one of the old cities that fortunately was not conquered and looted by the Burmese in 1767. There you can still find a number of places and sights that have been preserved in good condition.
This Palace on a mountain,95 meters high called “Mahaisawan” became popularly known as “Kao Wang”. King Rama IV had this palace built in 1858, a mixture of European, Thai and Chinese style elements.
Mount Mahaisawan has three peaks. Most important is the palace building on the west side. In the middle there is a Stupa called Phra That Chomphet, on the eastern tip there is a royal temple, Wat Phra Kaeo. King Rama IV visited Phetchburi often and stayed there for a long time. King Rama V also visited the temple at the beginning of his reign. In its time Phetchburi was a reception center for foreign state guests and was at that time a kind of vacation spot in the country.
However, Phra Nakorn Kiri subsequently lost its importance and was uninhabited. In 1953 it became a historical place. The palace was restored between 1982 and 1987.
Interesting sights are :
The horse stable on both sides of the street
On the first floor there are two large halls, the second floor contains a large hall and two bedrooms, the north of which is that of the queen.
The last two halls mentioned, Phetchapum Pairot and Pramot Mahaisawan, served as a museum during their time, in which the following pieces are exhibited:
This tower is called “Glass Tower or Observatory, because King Rama IV was an astronomer and had this building built for his astronomical study. At that time the royal flag was seen in front of the tower as a sign when his majesty was on the tower.
Here is a stupa, Phra that Chompet, which was built by King Rama IV. The Chedi is 40 meters high and 20 meters wide. Inside the foundation there is a round room with a large pillar in the middle. Four entrances lead to the room from which one can come up to the balustrade. From the balustrade you have a good view over the whole city of Phetchburi.
Wat Phra Kaeo is on this mountain. The temple contains a Bot, the Phra Suttha Chedi, a bell tower, Phra Prang Daeng and a pavilion.
The Bot is small with a marble wall and a colored tile roof. In the bot there used to be a crystal Buddha statue. After the time of Rama IV, this statue was transported to Bangkok and a marble Buddha was placed here.
The Phra Sutta Chedi is behind the Bot, a round Chedi made of marble on a square base 3 meters wide. The Chedi is 9 meters high and made of gray – green marble from Si Chang Island.
The bell tower is in front of the Bot and has jagged edges
Phra Prang Daeng, a building with breakthrough work. In the lower part of the Prang, in which there is a Buddha statue, there are pillared halls on four sides with four entrances to the Prang.
The temple was built on the hill south-east of Phranakorn Kiri. From the main street on the way to the palace there is a side street that leads to Wat Mahasomnaram.
This temple was restored and renamed on behalf of King Rama IV after the construction of the Phra Nakorn Kiri Palace. In the Wat you can find the wall painting by the famous painter Krua In Khong on four walls, which shows people worshiping the Buddha’s footprint as well as other holy places such as Phra Pathom Chedi and Phra Borom That Nakorn Sri Thammarat. This wall painting is the only one by the master Krua In Khong in his hometown of Phetchburi.
The temple is located south-east of the Pra nakorn Kiri Palace at the foot of the Kao Mahaisawan. It contains a lying Buddha statue made of brick and plaster of 42.9 meters. Many archaeologists claim that the statue shows the Ayutthaya style and was erected during the reign of King Borom kot as two of his wives were from Phetchburi. The statue was originally in the open. Later, king MongKut (Rama IV) had a roof built over it, which was repaired in the time of king Chulalongkorn (Rama V).
At the foot of the mountain on the eastern side you can find this temple, the construction of which – due to the foundation of the Bot – can be dated back to the Ayutthaya period. The temple contains a very beautiful column base and a beautiful Buddha statue. The stucco work on both the gable wall and the column base is the best example of the stucco work of the Ayutthaya period.
This temple is located in the city center. The five grand towers are worth mentioning. The tower with a veranda on the four sides is 42 meters high and surrounded by smaller towers. It was probably built in the Khmer style of Mahayana Buddhism and has undergone several restorations. The main statue in the bot is a crowned Buddha.
Three well-known Buddha statues should also be mentioned: Luang Po Mahathat, Luang Po Banleam, (originally from Ban Leam, Samut Songkram province) and Luang Po kao Takrao (originally from Wat kao Takrao, where the Phetburi River has its mouth).
Wat Koh kaeo Suttharam is another ancient temple from the Ayutthaya period. The wall painting in the Bot dates from 1734 during the reign of King Borom Kot. The pictures depict scenes from the life of Buddha as well as from the Buddhist cosmology Traipum. Due to the reversed position of the painting themes, it seems quite possible that the main Buddha statues have been rearranged, presumably because the temple got a different entrance on the newly built street.
The temple has a laterite wall, hence its name. It was probably originally a Hindu shrine, as a figure of the Hindu goddess U-Ma was found here in 1956.
An interesting attraction of this temple are the five laterite monuments, which – with a distance of 20 meters each stand to the east. Each monument has the shape of a Prang with four vestibules and a jagged corner. The lined up towers resemble the Prasart Sikhorapum in Ban Ra Ngae, in the province of Surin. If these five laterite monuments were supposed to come from the same time as the Prasart, this was made in the 12th century.
The temple was built during the Ayutthaya period. Although the landmark around the Bot and the Buddha statue behind the main Buddha characterize the style of olden times, this hypothesis is not yet accepted. Originally the temple was called “Wat Yai”. Later it got a new name after a respected monk from Phetchburi during the reign of King Sri Sanphet VIII – Phra Suwanmuni or Somdet Taeng Mo, who restored the temple. However, people named the temple after its old name and added the new name – Wat Yai Suwannaram the name was officially accepted. The temple contains the following interesting objects:
The Bot, built in Ayutthaya style with glass decoration on the gable wall and a decorated overhanging roof edge. At the end of the eastern gable there is a plaster garuda surrounded by motifs arranged in a circle and at the end of the western gable there are further stucco figures of Deva on Asura surrounded by flame motifs.
There is no window on the wall in the north and south of the Bot, but the front wall has two huge towers and a large high window as well as door frames that were painted red on the outside, while the inside shows colorful guards. Rows of umbrellas are placed above the main Buddha statue made of brick and plaster of paris with a knee span of 2.2 meters, which is in a sitting position.
The high column base shows a distorted lotus decoration with colored mosaic glasses. In front of the statue there are three more lying Buddhas while they overpower the Mara. You can find two Buddha figures in a meditating position in the next row.
At one end the figure of Somdet Chao Taeng Mo and at the other end the former abbot who carried out the restoration of the Wats in the time of king Ramas V. Another bronze Buddha figure with a knee span of 1.40 meters can be found on the wall behind the main statue. This Buddha has six toes on the right foot. It has been claimed that before the main restoration in the Ayutthaya period, this statue originally represented the main character in the Bot.
The Vihan with a gallery on two sides of the Bot is right in front of the building. In the Vihan there is the Chulamani Chedi, which is 2.50 meters high.
The Sacred Stone are doubled, there are two stones on the back side on top of each other. The column base with jagged corners like a stupa is made of brick and plaster. Because of their shape, it is said that the landmarks, like the Buddha figure with six toes on the right foot, date from the pre-Ayutthaya period. The gallery around the Bot is from a later time. Divided into units with double roofs, roof ends and decorated gutters, the gallery resembles a miniature Vihan.
The gallery used to contain 117 statues of Buddha, including 12 standing Buddhas and 105 seated ones. At the end of the gable is the sign of king Rama V a Thai 5 on a plaque with a small sword on it.
Sala Kanparien is a large pavilion 30 meters long and 10 meters wide behind the Bot. The roof consists of two rows one above the other, the ends and overhanging roof edges were decorated with colored glass, the gable wall is characterized as a magnificent stucco model. There are five early gateways leading to the pavilion, which contains two large sermon seats. The panels of the front door show a very fine inlaid glass work depicting animal figures. The filling on the right is marked, probably by the sword of a Burmese on his way to the conquest of Ayutthaya in 1764. This story, however, remains a legend.
There are two buildings for storing Buddhist inscriptions. The old building is a one-story wooden house in Thai style in the middle of the pond with a small bridge as access to the building. The new building is next to the abbot’s residential unit, a two-story building built in 1927.
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